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notes from a small vicar
from a parish in Liverpool, UK
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Join me on my PARISH WALKS
1 - On rogation beside the River Alt 2 - Bounded by green avenues 3 - Following mislaid tracks 4 - Bringing in the Bacon 5 - Tropical storms over Scarisbrick 6 - Leisure pursuits 7 - The shopping trolley trail 8 - Everyday English 9 - Dog & Gun rogation 10 - Boundary slippage
Related
Talks and articles:
Iain Sinclair in Conversation with John Davies
(at Greenbelt 09: cd/mp3) Walking with the Psychogeographers (Greenbelt 2008 talk) Walking with the Psychogeographers (Greenbelt 08 talk: cd/mp3) Heaven in Ordinary (Greenbelt 2007 talk) Heaven in Ordinary (Greenbelt 07 talk: cd/mp3) Heart of Cheltenham pilgrimage: notes Heaven in Ordinary (Greenbelt Leeds event talk) Reading the Everyday (Greenbelt 06 talk: cd/mp3) Reading the Everyday (Third Way article: pdf) Reading the Everyday (Greenbelt on Iona 2006) Stars of Norris Green (radio talks) Making of the Croxteth Landscape Healing Places retreat programme Towards an Urban Theology of Land Mapping an Urban Parish Donations towards
the cost of my MPhil/PhD theology/psychogeography research project gratefully received via THE FIRE
THIS TIME: Deconstructing the Gulf War A permanent record
of the fate of Iraq ![]() Co-travellers: Pip Wilson Jonny Baker Joe Moran's Blog The Reluctant Ordained ASBO Jesus Dave Walker's Cartoon Blog Paul Cookson Maggi Dawn Dot Gosling: Wildgoose Ellen Loudon Rachel Andrew Walking Home to 50 The Manchester Zedders A Mis-Guided Blog Territories Reimagined: International Perspectives Islingtongue / Leytonstongue Remapping High Wycombe National Psychogeographic Diamond Geezer Danger: Void Behind Door Common Ground Strange Attractor: Further Girardian Reflections on the Lectionary Kristin Hersh Unofficial Fall website Bill Drummond: Penkiln Burn Iain Sinclair Julian Cope: Head Heritage Billy Bragg Rough Trade Second Layer Records Freak Emporium Probe Records Piccadilly News From Nowhere Abebooks The Wire Smoke: A London Peculiar London Review of Books Demos Greenhouse Archives July 2002 August 2002 September 2002 October 2002 November 2002 December 2002 January 2003 February 2003 March 2003 April 2003 May 2003 June 2003 July 2003 August 2003 September 2003 October 2003 November 2003 December 2003 January 2004 February 2004 March 2004 April 2004 May 2004 June 2004 July 2004 August 2004 September 2004 October 2004 November 2004 December 2004 January 2005 February 2005 March 2005 April 2005 May 2005 June 2005 July 2005 August 2005 September 2005 October 2005 November 2005 December 2005 January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 November 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 July 2008 August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 |
Friday, September 25, 2009
Should a man blog on his wedding day?
![]() Better men than I have done it and escaped opprobrium as geeks or a-romantics. But I might not. If a man blogs on his wedding day it must mean that: - he's so relaxed about the forthcoming nuptials that he can switch into reflexive mode for half an hour; - he's so full of the occasion that he needs the world - or at least his 150 online readers - to know; - he's so addicted to the computer that he just can't help himself. If a man blogs on his wedding day it's probably because: - he can't sleep and has to fill the long hours before the arrival of the best man and the wedding cars; - his wife-in-waiting can't sleep and she's been phoning every 20 minutes since 5.30am, so he may as well get up; - after hours and days of escorting his beloved shopping for chocolates, bedding, jewels, rings and lingerie the emotionally and financially shattered groom-to-be is asleep, and blogging is what he does in his sleep. If a man blogs on his wedding day it's likely that: - it's displacement activity for the speech he can't complete; - it takes his mind off that embarrassing 'first dance' he'll be subjected to later; - he needed to make a last-minute honeymoon booking and on the world wide web one thing leads to another. I shan't be blogging on my wedding day. But the night before: that's near enough. John and Diana Davies, as of 26 Sept 2009. A marriage made in Toxteth and to be continued in Croxteth
Thanks to all who've supported and encouraged us on our way towards the 'big day' Monday, September 21, 2009
Stag Night Karting
My last Saturday of singleness spent on a kart track in Aintree Industrial Estate. Filmed on his phone by Mark Coleman. From my Stag Night - Karting - September 2009 Flickr video set
Tuesday, September 15, 2009
The Red Horse at Cheltenham
Billy Childish may have stolen the (art) show at Greenbelt with his engaging conversation with Malcolm Doney - which began with him presenting himself as a determined religious outsider ('I never read the Old Testament ... it's all a bit bloody and ghastly, innit? No, I like the other feller, the later one, he's all friendly...') and developed into a candid and thoughtful explication of his Chatham-style, damaged goods take on spirituality. But in the venue of racing legends where around the site equine champions are celebrated in outdoor statuary, romanesque wall friezes and Hall of Fame history display panels, it was a red horse which most captivated me, and many others, the work of another artist in the very excellent Visionaries exhibition.![]() Clive Hicks-Jenkins' Green George catches the eye with its bright and unexpected colours. Green George... why? In an artists statement Hicks-Jenkins says that his work began with the horse: ‘Once I'd completed the horse, the incandescent colour of which was an early notion I'd had to make the saint's mount almost a creature of another, more heavenly realm, I knew in a moment that no conventional skin colour for Saint George could withstand close proximity to that flaming Cadmium Red. Suddenly green became my favoured option for George. And once I'd started painting with a green-laden brush, I loved the results. I loved the way red applied to George's lips and hectic cheeks transformed his appearance into a glorious and unexpected adventure. I loved the links green made to ideas of re-generation and rebirth, the allusion to a whippy sapling flooded with the promise of newness, growth and hope. Just what a warrior saint should be. And of course there was the idea of Viriditas (Green Flame), the term coined by Hildegard of Bingen to express the 'greening power of God'.All this, of course, at Greenbelt which really pulled out the stops on the visual arts front this year. Loved it. Green George from Clive Hicks-Jenkins website
Monday, September 14, 2009
Luminescence at the pit head
![]() The spin on the Spanish sculptor Jaume Plensa's Dream is that '...the head of a girl with eyes closed, seemingly in a dream-like state ... is the artist’s response to ... conversations with the ex-miners and members of the wider local community who wanted a piece that looked to a brighter future and created a beautiful and contemplative space for future generations, not least their own grandchildren, at the top of the former spoil heap.' On a sunny Sunday afternoon it's not contemplative, because beneath Dream children play, dogs sniff and tourists angle their lenses upwards towards the strange head. But it has a beauty - you can tell that when you're speeding along the M62 beneath it, flicking your eyes between the trees looking for a glance. Close up it becomes more apparent, the loveliness of this shining figure, luminescent in Spanish dolomite and titanium dioxide, sitting on the forty years worth of untouched coal which permeates the four miles of seams which run beneath. I don't know if Dream carries any more or less meaning as a gathering-point for the young people of St Helens than the night clubs, park gates and garage forecourts of the town which sits below this silent head, or for their hopes and aspirations. But it is a remarkable contribution to the local landscape and it does inspire interest, provoke stillness, register respect. Pic from my Dream Flickr photoset
Monday, September 07, 2009
Simulacra and small epiphanies in the new Edinburgh
Rather late but in Borders at the weekend, during a lull in bed-linen purchasing I at last located the issue of Product which features Gordon McGregor's very readable essay on psychogeography, The Paths of Least Resistance.![]() London. Iain Sinclair and his capital-city contemporaries are studiously ignored here, but there is mention of two of his oft-quoted inspirations, Blake and De Quincey. McGregor uses his 'beginners guide' to psychogeogaphy as a jumping-off point for an extended reflection on the present problematic state of Edinburgh where 'the urban agenda' has done what it is also done in London and Manchester: 'fallen foul of ... rapacious over-development ... development that values such ineffable values as charm and character only in as far as they can be quantified.' Interesting to compare and contrast the Lettrist Ivan Chtcheglov's 'playful' Formulary for a new Urbanism where his dream city is divided into various arrondissemements named as The Happy Quarter, The Useful Quarter, The Sinister Quarter, and so on, with a central Edinburgh which is suffering 'from an ailment just as corrosive to the imagination as the flux marking its outer limits': As one approaches the heritage core of the city one passes through an event horizon beyond which the city is not so much lived-in as curated. The carapaces of heritage buildings now play host to an industry whose function is to celebrate a stereotyped version of the past, such that the city becomes a simulacra of its original self; a museum to false memory in which even the citizens become tourists.McGregor identifies the stroller and the deriviste as being among those who can still contribute to a revolution in everyday life. Scratch under the surface and we may discover a substrata of older narratives, of quietly resonant corners which hide away and hope to be forgotten. There, among the marginalia of city life, the abandoned warehouses and half-deserted streets may yet form the backdrop to certain revelatory moments, certain small epiphanies. Wednesday, September 02, 2009
Iain Sinclair at Greenbelt
![]() It was good to welcome Iain and Anna Sinclair to Greenbelt. He seemed to enjoy himself onstage with me and then later in his own show in which the orbital traveller took the audience in an indoor ampitheatre at Cheltenham Racecourse on a few brief circuits of his epic M25 journey and held a line with the poet John Clare and the journey he made from the lunatic asylum, Fairmead House, High Beach, Epping Forest, to Clare's home in Helpston, near Peterborough. I've spent all of today so far transcribing my conversation with Iain (available as a cd or download here). I've got as far as the questions at the end and thanks Liam, The Manchester Zedder, for yours. And venue host Ian. I didn't get the name of the other contributor so if you're him, or know him, then for the record, please let me know. One highlight from a good hour last Sunday afternoon: Iain Sinclair on walking the everyday... John D: Iain Sinclair at Greenbelt pic by Elaine Duigenan from the Greenbelt Festival Official Pictures' Flickr photostream
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